1 00:00:35,210 --> 00:00:41,610 If I see your face If I see your face 2 00:00:41,610 --> 00:00:45,830 in the night I 3 00:00:45,830 --> 00:00:51,830 will wait 4 00:00:51,830 --> 00:00:56,810 If I feel your touch 5 00:00:56,810 --> 00:01:03,550 If I feel your touch in the night 6 00:02:06,540 --> 00:02:07,540 Your music? 7 00:02:07,980 --> 00:02:09,080 Yes. Good. 8 00:02:10,360 --> 00:02:11,840 Is it loud enough, do you think? 9 00:05:01,070 --> 00:05:04,210 I see your face in the night. 10 00:06:07,440 --> 00:06:08,440 Oh, I'm with ya. 11 00:08:30,830 --> 00:08:31,910 and I'll save you from... 12 00:10:54,410 --> 00:10:55,930 Put them on, you little shite. 13 00:11:37,770 --> 00:11:39,130 Take it over there and burn it. 14 00:11:40,070 --> 00:11:41,070 What? 15 00:13:15,139 --> 00:13:16,820 Big and serious crime squad. 16 00:13:17,320 --> 00:13:19,740 Sir Charles Stafford, dead on arrival. 17 00:13:20,400 --> 00:13:22,020 Found by Magdalene Sheridan. 18 00:13:22,300 --> 00:13:24,400 She came up from the lodge when she heard the alarm. 19 00:13:25,880 --> 00:13:26,880 She's in the bathroom. 20 00:13:31,300 --> 00:13:32,440 She a member of the family? 21 00:13:33,040 --> 00:13:34,040 Friend of the family. 22 00:13:35,880 --> 00:13:36,880 Who's the next of kin? 23 00:13:37,180 --> 00:13:40,380 So, Sebastian, teaches at Queen's in Belfast. 24 00:13:41,060 --> 00:13:43,440 There's no reply from this flat. We are trying to trace him. 25 00:13:44,180 --> 00:13:46,340 Miss Sheridan will identify the body. 26 00:14:49,219 --> 00:14:53,060 Right, is this the body of the man known to you as Sir Charles Stafford? 27 00:14:53,740 --> 00:15:00,720 Yes Like a father 28 00:15:00,720 --> 00:15:01,720 to me 29 00:16:16,239 --> 00:16:17,360 Jeez. Oh, my God. 30 00:16:18,000 --> 00:16:19,000 I didn't see anything. 31 00:16:19,940 --> 00:16:22,740 I swear to God, I didn't see a bloody thing. 32 00:16:26,700 --> 00:16:27,700 Maggie. 33 00:16:28,760 --> 00:16:30,540 They killed him, Abe. What? 34 00:16:31,660 --> 00:16:33,120 They shot Charles Stafford. 35 00:16:33,500 --> 00:16:35,720 Oh, Chris. You knew. That's why you ran away. 36 00:16:36,640 --> 00:16:38,660 I was scared for Christ's sake. 37 00:16:38,940 --> 00:16:41,040 You were so scared you were sleeping like a baby. 38 00:16:42,190 --> 00:16:47,050 I feel really bad, Aidan. I think that I might just shoot you. I don't know 39 00:16:47,050 --> 00:16:48,510 anything. Who were they? 40 00:16:49,490 --> 00:16:51,690 Point that at the old man's son. 41 00:16:51,970 --> 00:16:54,510 Point it at Sebastian Stafford and see what he says. 42 00:16:55,210 --> 00:16:56,310 What are you saying? 43 00:16:59,530 --> 00:17:03,630 I saw someone I used to know and he saw me. 44 00:17:04,050 --> 00:17:05,589 That makes me a witness. 45 00:17:06,050 --> 00:17:09,770 And I know he works for Michael Longley. Who's Michael Longley? 46 00:17:14,060 --> 00:17:16,680 Sebastian owes Longley money. 47 00:17:17,020 --> 00:17:18,060 Real money. 48 00:17:19,859 --> 00:17:22,079 Why? Why do you think? 49 00:17:34,340 --> 00:17:37,940 If he was using again, I'd know. 50 00:18:17,550 --> 00:18:18,550 Hello? 51 00:19:32,080 --> 00:19:33,080 There's a 52 00:20:48,810 --> 00:20:49,810 Miss Shirley. 53 00:20:50,110 --> 00:20:50,929 It's okay. 54 00:20:50,930 --> 00:20:54,910 It's okay. It's okay. I'm Detective Sergeant Fagan. We met up at the house. 55 00:20:54,910 --> 00:20:55,689 all right. 56 00:20:55,690 --> 00:20:56,690 Okay. 57 00:20:58,770 --> 00:21:03,390 What are you doing here? 58 00:21:04,450 --> 00:21:06,730 Look, I'm sorry, but I need to ask you some questions. 59 00:21:09,830 --> 00:21:11,070 I've been here since 87. 60 00:21:14,070 --> 00:21:18,830 I was... living in... New York. 61 00:21:19,650 --> 00:21:20,950 I was living rough. 62 00:21:23,190 --> 00:21:24,330 I had nothing. 63 00:21:26,710 --> 00:21:31,590 Sebastian came and... they paid for my rehab. 64 00:21:34,590 --> 00:21:36,370 And Charles took me in. 65 00:21:38,410 --> 00:21:40,490 Have you found Sebastian yet? 66 00:21:41,210 --> 00:21:42,310 He's on his way. 67 00:21:44,210 --> 00:21:45,330 I shouldn't drink. 68 00:21:49,100 --> 00:21:50,280 How did you meet the Staffords? 69 00:21:50,540 --> 00:21:51,940 I was at school with them. 70 00:21:52,360 --> 00:21:53,400 With Cecilia. 71 00:21:53,740 --> 00:21:57,880 That's Charles's daughter. She died in a car crash. 72 00:22:00,980 --> 00:22:02,380 Were you alone last night? 73 00:22:12,980 --> 00:22:13,980 Where are you going? 74 00:22:17,740 --> 00:22:19,300 I don't know. I don't know where I'm going. 75 00:22:29,580 --> 00:22:30,900 You know, you were pretty well known. 76 00:22:31,540 --> 00:22:32,540 I remember you. 77 00:22:35,320 --> 00:22:36,880 Do you still make your living out of music? 78 00:22:38,360 --> 00:22:41,280 I make music, but I don't make a living. 79 00:22:54,560 --> 00:22:55,560 Yeah? 80 00:22:56,200 --> 00:22:57,200 Okay. 81 00:23:00,180 --> 00:23:01,320 Sebastian Stafford is here. 82 00:23:34,760 --> 00:23:38,540 The only painting that has ever hung here is the portrait of my mother. 83 00:23:39,160 --> 00:23:40,420 And when were you last here? 84 00:23:42,180 --> 00:23:44,580 About a month ago. 85 00:23:48,300 --> 00:23:49,380 There was a carpet. 86 00:23:51,060 --> 00:23:52,180 Yes, it's been removed. 87 00:24:21,640 --> 00:24:22,980 I've never seen these paintings before. 88 00:24:23,820 --> 00:24:25,620 Never? Never in my life. 89 00:24:26,540 --> 00:24:28,420 Do they belong to your father, do you think? 90 00:24:29,020 --> 00:24:30,020 They could, I suppose. 91 00:24:31,500 --> 00:24:35,340 Where would your father keep such things as bills of sale, insurance documents? 92 00:24:36,100 --> 00:24:37,100 His desk. 93 00:24:37,840 --> 00:24:38,840 Ollie. 94 00:24:40,440 --> 00:24:46,660 Does the dog always sleep in the kitchen? 95 00:24:47,240 --> 00:24:48,480 It never sleeps in the kitchen. 96 00:24:48,920 --> 00:24:50,600 It always sleeps in my father's room. 97 00:25:29,480 --> 00:25:30,980 How much do you owe Longley? 98 00:25:32,920 --> 00:25:37,000 I don't know anyone called Longley. Is it more or less than the value of the 99 00:25:37,000 --> 00:25:38,000 paintings? 100 00:25:41,200 --> 00:25:44,480 You think I arranged the robbery? Did you? 101 00:25:45,420 --> 00:25:46,640 And my father's death? 102 00:25:48,260 --> 00:25:51,420 Charles did something you couldn't have anticipated. He had a gun. 103 00:25:51,780 --> 00:25:55,900 They didn't find a gun. I found it next to his body when I found him. 104 00:25:58,860 --> 00:26:02,320 I think he had a gun because he was trying to stop them from cutting your 105 00:26:02,320 --> 00:26:03,320 mother's portrait. 106 00:26:03,660 --> 00:26:04,760 Oh, Seb, 107 00:26:07,180 --> 00:26:09,720 I thought we always told each other everything. We do. 108 00:26:12,240 --> 00:26:13,700 Are you using again? 109 00:26:15,180 --> 00:26:16,180 No. 110 00:26:17,760 --> 00:26:20,100 I was, at Christmas. 111 00:26:23,540 --> 00:26:24,640 When I was away? 112 00:26:28,320 --> 00:26:30,620 Why? I don't know why. 113 00:26:30,920 --> 00:26:32,360 Coke? No. 114 00:26:32,920 --> 00:26:34,100 No, it's Maggie. 115 00:26:34,380 --> 00:26:36,280 But I stopped. 116 00:26:38,180 --> 00:26:39,180 I stopped. 117 00:26:40,360 --> 00:26:41,360 I stopped. 118 00:26:43,460 --> 00:26:44,820 But you still owe money. 119 00:26:46,140 --> 00:26:48,380 Not to anyone called Longley. 120 00:26:49,640 --> 00:26:54,160 As far as I understand it, Longley controls the whole of South Dublin, so 121 00:26:54,160 --> 00:26:57,100 indirectly or directly, you do owe him. Maggie. 122 00:26:58,540 --> 00:27:00,620 I did not set up any robbery. 123 00:27:02,060 --> 00:27:03,060 How pleased. 124 00:27:08,020 --> 00:27:15,000 How much do you 125 00:27:15,000 --> 00:27:16,000 owe? 126 00:27:17,640 --> 00:27:18,640 60 ,000. 127 00:27:19,320 --> 00:27:20,660 60 ,000? 128 00:27:21,060 --> 00:27:22,060 It was 10. 129 00:27:22,120 --> 00:27:23,580 The rest is interest. 130 00:27:24,140 --> 00:27:25,820 Did Charles know you were in debt? 131 00:27:36,460 --> 00:27:37,460 Father set it up. 132 00:27:43,380 --> 00:27:45,260 Oh, please, God, he didn't do this for me. 133 00:27:47,840 --> 00:27:50,620 Agony in the Garden, a copy of a painting by Giacuinto. 134 00:27:51,740 --> 00:27:53,660 Drunken Silenus after Chaperon. 135 00:27:54,680 --> 00:27:57,740 The Massacre of the Innocents, a copy of a Poussin painting. 136 00:27:58,620 --> 00:28:03,160 Saint Cecilia, the Penitent Magdalene, both by southern followers of 137 00:28:04,560 --> 00:28:05,960 So this must be the missing work. 138 00:28:07,100 --> 00:28:11,940 Judith slaying Holofernes in the manner of ante veduto grammatica. 139 00:28:17,060 --> 00:28:18,460 You know, I'm confused. 140 00:28:20,660 --> 00:28:24,740 All these paintings that have been hidden away somewhere for years are 141 00:28:24,840 --> 00:28:29,080 for no apparent reason, taken out of store, insured and hung on the wall. 142 00:28:30,180 --> 00:28:33,280 Hardly a month later, somebody tries to steal them. 143 00:28:36,040 --> 00:28:41,200 You know, none of them seem to be very significant works, but even so, they've 144 00:28:41,200 --> 00:28:43,500 got to be worth more than they've actually been insured for. 145 00:28:45,820 --> 00:28:47,200 How much were they insured for? 146 00:28:48,920 --> 00:28:50,080 Only £60 ,000. 147 00:29:51,020 --> 00:29:52,020 I'm Michael Longley. 148 00:29:53,600 --> 00:29:54,640 You owe me money. 149 00:30:40,110 --> 00:30:41,610 Can you sell the rest of the paintings? 150 00:30:42,130 --> 00:30:43,570 I'm not really mine to sell. 151 00:30:43,850 --> 00:30:44,749 Well, they will be. 152 00:30:44,750 --> 00:30:45,750 I doubt it. 153 00:30:46,130 --> 00:30:49,530 The house has been remolded time and time again. It's falling apart. 154 00:30:49,970 --> 00:30:51,290 Father had no life insurance. 155 00:30:52,230 --> 00:30:54,630 If they're worth anything, they were to pay off death duties. 156 00:30:55,690 --> 00:30:57,110 Got anything else to sell? 157 00:30:59,390 --> 00:31:03,150 There's some drawings I bought with the money the grandfather gave me. 158 00:31:04,090 --> 00:31:05,470 I have no idea what they're worth. 159 00:31:05,670 --> 00:31:06,830 I didn't pay much for them. 160 00:31:09,030 --> 00:31:12,390 Well, I've got 60 quid we can give Longley. I don't think that's going to 161 00:31:12,390 --> 00:31:17,150 him. Or we can take the drawings to London, get Susie to value them, and 162 00:31:17,150 --> 00:31:18,310 sell them if they're worth anything. 163 00:31:18,850 --> 00:31:20,590 Pagan said he wanted to question us again. 164 00:31:21,290 --> 00:31:23,090 Yeah. So how can he go to London? 165 00:31:23,710 --> 00:31:25,090 Well, they won't be watching the airport. 166 00:31:25,370 --> 00:31:27,830 It's all computerised, Maggie. You'll be on a computer. 167 00:31:28,130 --> 00:31:29,130 So will I. 168 00:31:47,799 --> 00:31:50,040 Why have you got this up today? 169 00:31:51,940 --> 00:31:54,000 It was the name I was born with. 170 00:31:55,260 --> 00:31:58,580 Maggie Sheridan isn't welcome in all the countries of the world, whereas 171 00:31:58,580 --> 00:32:02,940 Magdalena Krasinska has led an exemplary life. 172 00:32:03,800 --> 00:32:05,800 The Countess Krasinska. 173 00:32:08,100 --> 00:32:09,500 You're such a snob. 174 00:32:11,440 --> 00:32:16,080 When you need me, call my name. 175 00:32:16,740 --> 00:32:21,520 There's no need, baby, to feel no pain. 176 00:32:46,760 --> 00:32:49,180 I'd like to see Susanna Peel. May I have your name? 177 00:32:49,480 --> 00:32:50,480 Anna Fitzgerald. 178 00:32:50,720 --> 00:32:51,740 Would you wait upstairs, please? 179 00:33:12,560 --> 00:33:13,560 Thank God. 180 00:33:14,080 --> 00:33:15,540 I tried to get hold of you. 181 00:33:17,290 --> 00:33:18,290 That's Sebastian. 182 00:33:18,350 --> 00:33:19,350 No. 183 00:33:20,550 --> 00:33:22,050 Well, he's in trouble, Susie. 184 00:33:22,810 --> 00:33:23,970 What kind of trouble? 185 00:33:25,110 --> 00:33:26,110 Money. 186 00:33:28,910 --> 00:33:31,110 So, would you take a look at these for me? 187 00:33:31,590 --> 00:33:32,590 Uh -huh. 188 00:33:38,330 --> 00:33:39,330 Whose are they? 189 00:33:40,070 --> 00:33:41,070 Sebastian's. 190 00:33:53,710 --> 00:33:54,710 Want to know what they were? 191 00:33:55,090 --> 00:33:56,090 Yes. 192 00:34:01,410 --> 00:34:02,410 Alex, 193 00:34:05,770 --> 00:34:06,770 it's Susie. 194 00:34:07,170 --> 00:34:08,949 Could you have a look at some drawings for me? 195 00:34:11,590 --> 00:34:12,730 Upstairs in my office? 196 00:34:14,409 --> 00:34:16,150 Well, now if that's OK. 197 00:34:17,270 --> 00:34:18,270 Right. 198 00:34:19,179 --> 00:34:22,239 What are you doing? I came to you for help. I don't want to be fobbed off with 199 00:34:22,239 --> 00:34:26,060 someone else. Maggie, I work on old master paintings. These are drawings. 200 00:34:26,320 --> 00:34:30,380 Yes, Susie, I know that. Modern drawings. I can't tell you what they're 201 00:34:30,380 --> 00:34:31,380 haven't a clue. 202 00:34:34,620 --> 00:34:35,620 Oh. 203 00:34:42,280 --> 00:34:44,179 Basically, they're rather good fakes. 204 00:34:46,820 --> 00:34:47,820 Worthless. 205 00:34:48,199 --> 00:34:49,480 Well, not worth much, to be sure. 206 00:34:49,980 --> 00:34:54,719 Perhaps if offered to the right person, he might make 50, 60 pounds apiece. 207 00:34:55,460 --> 00:34:56,460 I'm sorry. 208 00:34:57,280 --> 00:34:58,280 Thanks. 209 00:34:59,080 --> 00:35:00,080 Thanks. 210 00:35:02,600 --> 00:35:04,240 Shall I get Oliver to tell me for you? 211 00:35:04,820 --> 00:35:05,820 Yes, please. 212 00:35:05,840 --> 00:35:09,840 He's away. He's back today or tomorrow. So what kind of trouble is Sebastian in? 213 00:35:10,260 --> 00:35:11,260 He owes money. 214 00:35:12,660 --> 00:35:15,540 We think that Charles may have arranged the robbery for the insurance. 215 00:35:16,230 --> 00:35:17,570 But they only got away with one painting? 216 00:35:17,890 --> 00:35:21,610 Yeah. How much was that insured for? Well, the whole collection was insured 217 00:35:21,610 --> 00:35:22,610 £60 ,000. 218 00:35:22,950 --> 00:35:24,310 This is the one they took. 219 00:35:26,850 --> 00:35:33,770 Judith playing Holofernes in the manner of Antibiduto Grammatica. 220 00:35:51,760 --> 00:35:54,120 The first thing I'd say is that this is an original. 221 00:35:56,160 --> 00:35:58,220 But it's not a grammatical. 222 00:36:01,420 --> 00:36:03,780 Another painful altogether comes to mind. 223 00:36:28,660 --> 00:36:33,520 Now, the person who painted this and this, 224 00:36:33,520 --> 00:36:37,220 Artemisia Gentileschi. 225 00:36:40,620 --> 00:36:42,160 You haven't heard of her? 226 00:36:42,360 --> 00:36:43,360 Nope. 227 00:36:43,440 --> 00:36:45,220 Never seen any of her painting? 228 00:36:45,600 --> 00:36:46,600 No. 229 00:36:47,340 --> 00:36:50,660 Why should it surprise you that I don't happen to know the work of another 230 00:36:50,660 --> 00:36:55,640 secure 17th century painter? Maggie, Maggie, this is not surprise. This is 231 00:36:55,640 --> 00:36:56,640 disappointing. Why? 232 00:36:57,230 --> 00:36:58,870 Oh, this is stupid. 233 00:36:59,850 --> 00:37:01,390 I gave you a book. 234 00:37:01,950 --> 00:37:04,290 Really? Yes, about three years ago. 235 00:37:04,590 --> 00:37:05,590 I don't remember. 236 00:37:07,410 --> 00:37:12,070 Caravaggio and His Followers by Susanna Peel. 237 00:37:12,550 --> 00:37:13,550 Ah. 238 00:37:14,450 --> 00:37:15,450 Your book. 239 00:37:15,510 --> 00:37:16,530 Yes, my book. 240 00:37:17,290 --> 00:37:21,690 Yeah, of course, I remember that. It was just that I just haven't had a chance 241 00:37:21,690 --> 00:37:22,690 to look at it yet. 242 00:37:24,070 --> 00:37:25,690 Well, you never read my book. 243 00:37:27,110 --> 00:37:28,650 What are you, 12? 244 00:37:29,810 --> 00:37:31,410 Actually, I did read your book. 245 00:37:31,870 --> 00:37:36,190 I remember a lot of ghost -written gossip dimly remembered through a drink 246 00:37:36,190 --> 00:37:37,350 -drug -induced haze. 247 00:37:37,610 --> 00:37:38,610 You liked it, then? 248 00:37:38,790 --> 00:37:39,790 I did not. 249 00:37:40,390 --> 00:37:44,570 Though most of my friends in the sixth form found it mildly diverting. Chapter 250 00:37:44,570 --> 00:37:48,230 three, Woodstock. Chapter four, I shagged the four tops. 251 00:37:49,370 --> 00:37:52,930 Your friends had taste. 252 00:37:53,270 --> 00:37:54,930 And I wrote every word. 253 00:37:56,030 --> 00:37:57,910 So you chose to call me your half -sister? 254 00:37:58,130 --> 00:38:01,270 Well, we did actually have separate fathers, unless you'd forgotten. 255 00:38:01,510 --> 00:38:02,510 No, I haven't forgotten. 256 00:38:02,870 --> 00:38:04,970 And who did I say was the love of my life? 257 00:38:05,170 --> 00:38:06,650 Oh, I don't know. 258 00:38:07,610 --> 00:38:08,810 Dave D. Dozie. 259 00:38:09,170 --> 00:38:10,630 Dickie Titchinby. No. 260 00:38:11,370 --> 00:38:13,670 You. Liar. Yes, you. 261 00:38:14,390 --> 00:38:16,110 My little flame -haired sister. 262 00:38:16,530 --> 00:38:18,110 Little flame -haired half -sister. 263 00:38:20,590 --> 00:38:23,370 So if this really is one of her lost works, how much... 264 00:38:23,690 --> 00:38:24,810 Do you think that will be worth? 265 00:38:25,010 --> 00:38:26,270 Maggie, you don't have the painting. 266 00:38:28,010 --> 00:38:29,010 £200 ,000? 267 00:38:31,570 --> 00:38:36,310 No comparable works by her have been sold at Alton for a long time. £300 268 00:38:36,370 --> 00:38:39,350 No, no, look, look. I can't possibly make an attribution based on a poor 269 00:38:39,350 --> 00:38:43,270 photograph. All I can say is the work is suggestive of Artemisia Gentileschi. It 270 00:38:43,270 --> 00:38:47,970 could easily be comparatively worth this copy. I cannot see the painting which 271 00:38:47,970 --> 00:38:49,010 you don't have. 272 00:38:49,950 --> 00:38:51,730 I mean, it's probably been destroyed. 273 00:38:52,070 --> 00:38:53,810 No, no, no, I don't think so, no. 274 00:38:55,810 --> 00:38:58,070 Well, look, I have to go. I have an appointment. 275 00:38:58,750 --> 00:38:59,750 Ah. 276 00:39:01,670 --> 00:39:02,970 Find out about Artemisia. 277 00:39:03,430 --> 00:39:04,430 Thank you. 278 00:39:28,890 --> 00:39:31,030 asking about you and Aidan Finnegan. 279 00:39:31,430 --> 00:39:33,730 Shit. It's not overly chuffed that you vanished. 280 00:39:34,610 --> 00:39:36,190 I told them your mother was ill. 281 00:39:36,490 --> 00:39:37,288 Oh, Seb. 282 00:39:37,290 --> 00:39:38,830 I know. It's all I could think of. 283 00:39:40,810 --> 00:39:41,810 How's your Italian? 284 00:39:42,410 --> 00:39:43,410 Rusty. Why? 285 00:39:43,850 --> 00:39:46,750 I'm writing to Antonio Causa. 286 00:39:47,210 --> 00:39:48,210 Who? 287 00:39:49,170 --> 00:39:50,710 I've been studying the paperwork. 288 00:39:51,650 --> 00:39:56,090 All the paintings belong to someone called Agostino Salerno of Naples. 289 00:39:56,650 --> 00:40:00,990 In early 1945, they were acquired by one Antonio Causa. 290 00:40:01,990 --> 00:40:05,730 My father seems to have collected the paintings over a period of years, the 291 00:40:05,730 --> 00:40:09,470 first in 47, the last about ten years ago. 292 00:40:09,690 --> 00:40:11,010 And there's an address in Rome. 293 00:40:11,390 --> 00:40:12,530 Yeah, what have you written? 294 00:40:13,230 --> 00:40:14,310 Not much so far. 295 00:40:14,750 --> 00:40:18,670 Just told them that my father is dead, how it happened. 296 00:40:21,690 --> 00:40:26,070 Asking how he came by the painting, how he came to know my father. 297 00:40:26,510 --> 00:40:28,290 What makes you think that Charles is still alive? 298 00:40:28,790 --> 00:40:30,670 Charles received the last painting in 87. 299 00:40:32,550 --> 00:40:34,170 Oh, it's a long shot, I know. 300 00:40:35,950 --> 00:40:37,850 Maybe it's not too late to get to know my father. 301 00:40:39,090 --> 00:40:42,350 Well, your drawings are going to pay for my airfare home, at least. 302 00:40:42,770 --> 00:40:43,770 Save you having to swim. 303 00:40:45,830 --> 00:40:48,650 Oh, shit, I left the bath running. Got to go, Seb. Bye. 304 00:41:07,170 --> 00:41:08,570 Happy... 305 00:41:32,040 --> 00:41:35,080 Wild thing, I think you moved me. 306 00:41:36,140 --> 00:41:39,040 But I want to know what's yours. 307 00:42:03,330 --> 00:42:04,830 Matt. Ray's stopped playing. 308 00:42:05,670 --> 00:42:06,670 Wow, Ray. 309 00:42:09,930 --> 00:42:13,150 Our dealers do sometimes hear about stolen works and are sometimes 310 00:42:13,150 --> 00:42:15,930 about buying them. Can't you let it be known that you're interested in buying 311 00:42:15,930 --> 00:42:16,930 the Glencree painting? 312 00:42:16,990 --> 00:42:20,010 Maggie, all dealers are to a greater or lesser extent bent, but one must appear 313 00:42:20,010 --> 00:42:22,470 to be beyond reproach. Reputation's everything. 314 00:42:22,770 --> 00:42:24,950 Don't you know any utterly bent dealers? 315 00:42:26,010 --> 00:42:29,390 Yeah, of course. But I can't ask them about stolen works without appearing 316 00:42:29,390 --> 00:42:30,390 utterly bent myself. 317 00:42:30,920 --> 00:42:33,680 I could approach them. You can't go up to people and start talking about stolen 318 00:42:33,680 --> 00:42:34,820 paintings or take offence. 319 00:42:35,120 --> 00:42:36,160 I could say I was a dealer. 320 00:42:36,500 --> 00:42:37,500 I wouldn't believe you. 321 00:42:37,860 --> 00:42:39,640 Why not? I don't know anything about art. 322 00:42:39,980 --> 00:42:41,600 Well, I went to art school. 323 00:42:42,780 --> 00:42:47,020 Two years at Chelsea, staring at middle -aged nudes and singing in a blues band 324 00:42:47,020 --> 00:42:48,880 does not constitute a background in fine art. 325 00:42:51,000 --> 00:42:52,000 Choose a gallery. 326 00:42:52,200 --> 00:42:53,200 Choose a room. 327 00:42:54,720 --> 00:42:55,720 Pick a painting. 328 00:43:16,490 --> 00:43:17,490 Who's it by? 329 00:43:17,910 --> 00:43:20,330 Um, Sir Joshua Gainsborough. 330 00:43:21,710 --> 00:43:22,710 Thomas Gainsborough, yes. 331 00:43:23,670 --> 00:43:24,670 Title? 332 00:43:25,090 --> 00:43:27,790 I don't know. Mr. and Mrs. Andrews. When was it painted? 333 00:43:29,450 --> 00:43:32,290 17... 50? 334 00:43:34,330 --> 00:43:36,090 Okay, Oliver, what are you trying to prove? 335 00:43:36,330 --> 00:43:40,210 Years of study and experience provide one with the foundations of any 336 00:43:40,210 --> 00:43:43,890 discussion. It would be like me imagining I could stand up in front of a 337 00:43:43,890 --> 00:43:44,890 band and sing. 338 00:43:45,150 --> 00:43:47,910 Which is exactly what you did do on your 40th birthday. 339 00:43:48,130 --> 00:43:49,710 Yeah. I was crap. 340 00:43:51,990 --> 00:43:53,270 Well, don't disagree, will you? 341 00:43:53,710 --> 00:43:55,510 No. That's fair. 342 00:43:55,730 --> 00:44:00,070 So what makes you think you can convince anybody that you were an art dealer? 343 00:44:00,110 --> 00:44:02,070 What do you see when you look at this picture? 344 00:44:03,770 --> 00:44:06,090 Well, it's a wedding portrait. It's late summer. 345 00:44:06,310 --> 00:44:08,710 Robert Andrews stands ready to reap his harvest. 346 00:44:09,090 --> 00:44:13,110 The saplings denote the hope of issue. The dead pheasant and his wife slap a 347 00:44:13,110 --> 00:44:14,110 discreet erotic illusion. 348 00:44:15,050 --> 00:44:18,650 I don't see a dead peasant in his wife's lap. No, you see, art dealers don't 349 00:44:18,650 --> 00:44:19,589 make jokes. 350 00:44:19,590 --> 00:44:21,010 That's so discreet, it's invisible. 351 00:44:22,750 --> 00:44:27,170 Gainsborough was always reluctant to finish his work, it's true, but he was, 352 00:44:27,170 --> 00:44:28,270 think, quite brilliant. 353 00:44:28,650 --> 00:44:32,110 See, the estate takes up more than half the canvas, more than the portrait 354 00:44:32,110 --> 00:44:36,270 itself. No English painter before had ever allocated space in that way. 355 00:44:36,270 --> 00:44:37,270 they're showing off. 356 00:44:37,610 --> 00:44:40,530 They're saying, look, all this lovely land is ours. 357 00:44:42,750 --> 00:44:44,070 That's what makes it brilliant. 358 00:44:45,520 --> 00:44:49,220 They smuggled her. He's all there in that fancy bench. He's got his gun, he's 359 00:44:49,220 --> 00:44:51,360 got his dog. Now he's bagged her as another possession. 360 00:44:52,740 --> 00:44:56,800 Well... But is she going to give him pleasure? 361 00:44:57,640 --> 00:44:58,640 No. 362 00:44:58,920 --> 00:45:01,100 Old Josh Gainsborough obviously didn't think so. 363 00:45:02,880 --> 00:45:06,340 You see, calling him Old Josh Gainsborough rather gives the game away. 364 00:45:06,400 --> 00:45:07,960 he put that dead thing between her legs. 365 00:45:08,440 --> 00:45:10,560 And then even lost interest in finishing that. 366 00:45:13,080 --> 00:45:14,080 It's all right, Oliver. 367 00:45:14,400 --> 00:45:15,399 I can be an eccentric. 368 00:45:15,400 --> 00:45:16,400 Oh, you could be an imp. 369 00:45:16,780 --> 00:45:20,140 I've got the name and the passport. What more do I need? 370 00:45:22,720 --> 00:45:26,100 New address, good Mercedes, Montblanc pen, Cartier watch. 371 00:45:27,840 --> 00:45:28,840 Where do you buy your clothes? 372 00:45:29,100 --> 00:45:30,100 Oxford. Exactly. 373 00:45:30,340 --> 00:45:32,560 Have you had all those things? You'd still need to be seen to be buying 374 00:45:32,560 --> 00:45:33,760 paintings, and that needs money. 375 00:45:34,040 --> 00:45:35,500 Well, you've got money. I don't have any money. 376 00:45:35,860 --> 00:45:36,860 No, no, no, really, look. 377 00:45:37,230 --> 00:45:38,230 I don't have any money. 378 00:45:38,270 --> 00:45:41,630 Yes, and you live in such a horrible little hovel of a house, don't you? I 379 00:45:41,630 --> 00:45:44,150 I didn't have any money. I didn't say I didn't have a spectacular mortgage. 380 00:45:44,890 --> 00:45:48,610 A lot of what I do is on commission. You know, I advise buyers, I bid for them. 381 00:45:48,790 --> 00:45:50,530 Occasionally I buy something for myself to sell on. 382 00:45:50,790 --> 00:45:51,790 When's the next auction? 383 00:45:52,270 --> 00:45:53,270 Bellamy's, New York. 384 00:45:53,530 --> 00:45:57,290 Listen, you lend me the money, I need to set myself up as a dealer. 385 00:45:57,550 --> 00:46:00,070 I attend the auction as the Countess Krasinska. 386 00:46:00,390 --> 00:46:04,070 I bid on your behalf, I acquire a number of works, I am noticed. 387 00:46:04,440 --> 00:46:07,760 Right. I then let it be known that I'm interested in the Glen Cree painting. 388 00:46:08,160 --> 00:46:12,260 I get it back, Susie authenticates it, and we sell it for a million pounds, and 389 00:46:12,260 --> 00:46:13,820 everyone lives happily ever after. 390 00:46:14,140 --> 00:46:16,700 How are you going to pay for it? Cross that bridge when we come to it. A little 391 00:46:16,700 --> 00:46:17,940 of a bridge, more a yawning chasm. 392 00:46:19,200 --> 00:46:20,200 What's in it for me? 393 00:46:23,100 --> 00:46:24,320 How grateful would you be? 394 00:46:25,380 --> 00:46:26,380 Not that grateful. 395 00:46:26,720 --> 00:46:29,500 I recall that you were not ungrateful at my 40th birthday party. 396 00:46:30,620 --> 00:46:32,700 Really? I don't remember anything. 397 00:46:38,830 --> 00:46:39,830 Phone calls. 398 00:46:40,090 --> 00:46:41,090 Pay the bill. 399 00:46:44,710 --> 00:46:45,710 Mr Bentham? 400 00:46:45,990 --> 00:46:46,990 Ah, hello. 401 00:46:58,450 --> 00:46:59,450 Yep. 402 00:47:00,230 --> 00:47:01,610 Who is it? Jeffrey, hello, yes. 403 00:47:03,870 --> 00:47:06,070 Yes. Oliver, who is it? Yes. 404 00:47:06,650 --> 00:47:07,650 Really. 405 00:47:08,539 --> 00:47:09,539 Yes, absolutely. 406 00:47:10,980 --> 00:47:11,980 Done. Bye -bye. 407 00:47:16,640 --> 00:47:19,380 Do you often do that? That's repulsive. The word is, it's in London. 408 00:47:19,660 --> 00:47:22,420 How'd you get here? Oh, I don't know. How do paintings get smuggled here? 409 00:47:22,420 --> 00:47:23,780 up and stashed under the floor of a big line? 410 00:47:24,800 --> 00:47:26,820 Painted over and called Untitled Peace One? 411 00:47:28,160 --> 00:47:31,360 Well, Oliver, have we got a deal? 25 % of any sales, the best you might make. 412 00:47:31,480 --> 00:47:32,480 Ten. Twenty. Ten. 413 00:47:32,780 --> 00:47:33,780 Deal. 414 00:47:33,840 --> 00:47:35,900 Oh, darling, you're a dealer in fine art, not horses. 415 00:47:44,629 --> 00:47:48,570 Susie, has she been giving you drugs? No, she's not the same Susie. She's 416 00:47:48,570 --> 00:47:51,010 changed. Oh, over. She has charmed. 417 00:47:51,250 --> 00:47:55,250 She has always had charm. Clearly she has charmed in this evening. And you've 418 00:47:55,250 --> 00:47:58,550 succumbed like many men before you. Yeah, that's why I think she should do 419 00:48:00,030 --> 00:48:03,350 Roland Thievery's asked me to bid for a Goya and a Ducani. She caused quite a 420 00:48:03,350 --> 00:48:04,650 stir bidding for either of those. 421 00:48:05,070 --> 00:48:06,090 Let me understand this. 422 00:48:07,030 --> 00:48:08,030 You are prepared. 423 00:48:08,360 --> 00:48:12,200 To risk your reputation and our livelihood by allowing Maggie to walk 424 00:48:12,200 --> 00:48:15,620 Bellamy's New York, pretending to be a Polish dealer, and play with a million 425 00:48:15,620 --> 00:48:19,420 pounds of Roland Fabry's money. Listen, if this is an unknown Artemisia that 426 00:48:19,420 --> 00:48:22,660 you've discovered, that you authenticate, that you research and 427 00:48:22,660 --> 00:48:25,780 including your book, you'll be up there in the front rank, an acknowledged 428 00:48:25,780 --> 00:48:29,020 expert. What makes you think I want to be up there in your front rank? Oh, come 429 00:48:29,020 --> 00:48:30,280 on, of course you do. 430 00:48:31,180 --> 00:48:33,680 Thank you, darling. 431 00:49:04,550 --> 00:49:08,710 Darling, you do know that I find Oliver physically repellent, don't you? 432 00:49:11,830 --> 00:49:13,750 Yes, of course I do. So do I. 433 00:49:15,110 --> 00:49:16,110 Mostly. 434 00:49:18,590 --> 00:49:22,450 Oh, he's bending over so far backwards, he's in danger of slipping a disc. 435 00:49:24,190 --> 00:49:29,610 With me, he's sarcastic, overworked, tired. With you, he's all 436 00:49:29,610 --> 00:49:33,270 eager charms, making me nervous. 437 00:49:33,770 --> 00:49:35,730 Well, I've made a novel suggestion, that's all. 438 00:49:37,290 --> 00:49:40,510 Maggie, art thieves are no different from any other thieves. They're not 439 00:49:40,510 --> 00:49:43,470 connoisseurs or collectors. They're violent lowlifes. 440 00:49:43,890 --> 00:49:46,990 I can handle violent lowlifes. I mean, I was married to one. 441 00:49:47,210 --> 00:49:48,330 He never killed anyone. 442 00:49:48,930 --> 00:49:49,930 Not that we know. 443 00:49:50,330 --> 00:49:53,530 Maggie, this is my world. I'm serious about it. 444 00:49:54,990 --> 00:49:55,990 I know. 445 00:49:56,470 --> 00:50:00,430 I know you look at my house and my job and you think I've got it made, but I've 446 00:50:00,430 --> 00:50:02,170 worked hard for everything I've got. 447 00:50:06,160 --> 00:50:08,980 I mean, this sale in New York will be taken by Henry Fellows. 448 00:50:09,240 --> 00:50:14,120 He's got a title, a country pile, a network of grand relations, and he's 32. 449 00:50:16,160 --> 00:50:19,140 I'm 40 and a schoolmaster's daughter. I wait in line. 450 00:50:19,980 --> 00:50:20,980 42? 451 00:50:31,620 --> 00:50:35,300 Excuse me, when I was in New York, I was finished. 452 00:50:36,940 --> 00:50:39,900 If Feb hadn't come to get me, I would be dead by now. 453 00:50:42,700 --> 00:50:46,660 His father gave me a home where no one else would have me, including you, and I 454 00:50:46,660 --> 00:50:49,640 don't blame you because I was low -life scum. 455 00:50:53,000 --> 00:50:54,440 But Charles took me in. 456 00:50:57,900 --> 00:50:59,800 He died in my arms, Susie. 457 00:51:01,580 --> 00:51:03,600 I pray for the first time since school. 458 00:51:05,640 --> 00:51:06,640 But it was too late. 459 00:51:08,300 --> 00:51:10,760 Well, it's not too late for Seb. I owe him. 460 00:51:12,520 --> 00:51:14,020 I have to help him. 461 00:51:16,340 --> 00:51:17,340 I know you do. 462 00:51:26,500 --> 00:51:27,500 Seb? 463 00:51:28,140 --> 00:51:29,140 You still there? 464 00:51:38,580 --> 00:51:41,200 Yeah. I found a projector in some cine film. 465 00:51:43,260 --> 00:51:45,020 The thumb that he took during the war. 466 00:51:46,140 --> 00:51:49,700 Vast depository of hidden arts. That's the way to avoid Nazi looting. 467 00:51:50,180 --> 00:51:51,180 What? 468 00:51:51,380 --> 00:51:54,280 It seems that Charles was in Italy during the war. 469 00:51:55,380 --> 00:51:58,860 Part of a group who tried to stop the destruction of historic buildings. 470 00:51:59,200 --> 00:52:00,200 Works of art. 471 00:52:02,460 --> 00:52:03,840 That's Admet Kousa then. 472 00:52:05,990 --> 00:52:09,650 There's loads of letters and diaries, too. I'm wading my way through them. 473 00:52:11,750 --> 00:52:12,850 Seb, shall I come home? 474 00:52:13,430 --> 00:52:14,430 Oh, no. 475 00:52:15,330 --> 00:52:16,950 Contessa is going to get the painting back. 476 00:52:18,670 --> 00:52:19,670 I'm going to try. 477 00:52:20,030 --> 00:52:21,130 There's other film, too. 478 00:52:23,550 --> 00:52:24,550 Film of the family. 479 00:52:27,490 --> 00:52:30,450 You know, we went to the same hotel in Port Salon every year. 480 00:52:32,310 --> 00:52:33,310 Ballymustucker Bay. 481 00:52:36,170 --> 00:52:37,170 I don't know why. 482 00:52:38,930 --> 00:52:40,910 Every year we had races along the beach. 483 00:52:45,130 --> 00:52:46,910 One year I beat him and we stopped racing. 484 00:52:53,810 --> 00:52:55,970 Seb, you alright? 485 00:53:04,370 --> 00:53:05,780 Yeah. I'm fine. 486 00:53:08,360 --> 00:53:09,360 Doors are locked. 487 00:53:10,440 --> 00:53:12,080 Childhood pistol is in my pocket. 488 00:53:14,280 --> 00:53:15,960 Okay, well, phone me any time. 489 00:53:20,060 --> 00:53:21,060 Good night. 490 00:55:08,779 --> 00:55:09,779 Ah. 491 00:55:11,280 --> 00:55:12,280 Gitanas, one o 'clock. 492 00:55:12,800 --> 00:55:13,800 Look the business. 493 00:55:15,340 --> 00:55:16,540 Help yourself to anything you need. 494 00:55:16,760 --> 00:55:18,620 Though not perhaps the stereo speakers this time. 495 00:55:56,110 --> 00:56:01,450 Now he walks, the way he talks. 496 00:56:02,530 --> 00:56:08,930 The years go by and we are just getting older. 497 00:56:10,190 --> 00:56:16,150 What does it prove, the way he moves? 498 00:56:17,350 --> 00:56:20,090 The years go by and we are just getting older. 499 00:57:45,360 --> 00:57:47,140 I told you, Oliver, she's always late. Always. 500 00:57:47,440 --> 00:57:48,440 Waiter, wait. 501 00:57:49,040 --> 00:57:50,780 I'll have to go. We haven't had your lunch yet. 502 00:57:51,020 --> 00:57:53,800 Well, I've had four chunks of bread and half a pound of olives. 503 00:58:19,740 --> 00:58:20,740 Countess. 504 00:58:28,620 --> 00:58:31,140 What do you think? 505 00:58:31,400 --> 00:58:32,640 I think I've got to go. 506 00:58:34,180 --> 00:58:35,180 Yes. 507 00:58:36,440 --> 00:58:39,440 I'll have an arugula and parmesan salad, please. 508 00:58:40,520 --> 00:58:41,520 Cartier? 509 00:58:41,960 --> 00:58:44,740 If you look closely, you can see it says fartier. 510 00:58:46,320 --> 00:58:47,360 Ten quid. 511 00:58:47,940 --> 00:58:48,960 You look great. 512 00:58:50,350 --> 00:58:51,350 Well done. 513 00:58:58,850 --> 00:59:00,090 Your London apartment? 514 00:59:00,310 --> 00:59:03,110 It's not made for ever. It's only a three -quick taxi ride away. Whose is 515 00:59:03,310 --> 00:59:06,970 Oh, it's an old school chum of mine. He's been away for three years. He's 516 00:59:06,970 --> 00:59:07,629 in Japan. 517 00:59:07,630 --> 00:59:08,630 He's never even lived in it. 518 00:59:08,910 --> 00:59:09,910 Oh. 519 00:59:10,310 --> 00:59:11,249 I see. 520 00:59:11,250 --> 00:59:12,330 No, you don't. 521 00:59:12,790 --> 00:59:13,790 It's strictly business. 522 00:59:46,540 --> 00:59:47,720 Yes, I'll take it. 523 00:59:49,700 --> 00:59:50,700 Mind the carpet. 524 00:59:51,560 --> 00:59:52,640 No smoking. 525 01:00:02,640 --> 01:00:07,180 The Assyrian general's holophony is at last laid siege to the Israelite town of 526 01:00:07,180 --> 01:00:08,180 the Sulim. 527 01:00:08,400 --> 01:00:12,600 The inhabitants were on the point of surrender when Judas, a rich widow, 528 01:00:12,840 --> 01:00:14,160 volunteered to save them. 529 01:00:15,020 --> 01:00:18,980 She dressed in her finest clothes and jewellery and went to the enemy camp. 530 01:00:20,360 --> 01:00:24,480 Smitten by her beauty, Holophanes invites Judith to dine with him. 531 01:00:25,580 --> 01:00:27,020 She goes to his tent. 532 01:00:27,760 --> 01:00:33,380 He wants her desperately, but he's drunk more wine than he's ever drunk in his 533 01:00:33,380 --> 01:00:36,420 life, so he falls asleep instead. 534 01:00:36,920 --> 01:00:39,880 Here he is, stretched out on his bed. 535 01:00:44,360 --> 01:00:46,120 Judas stands over him, weeping. 536 01:00:47,060 --> 01:00:51,180 O Lord, God of Israel, give me strength and look in this hour upon the work of 537 01:00:51,180 --> 01:00:52,180 my hands. 538 01:00:53,380 --> 01:00:58,020 She takes his sword, holds him fast by the hair of the head, and strikes. 539 01:01:00,820 --> 01:01:05,800 Gives the head to her maid, places it in her food bag, and together they leave 540 01:01:05,800 --> 01:01:06,800 the camp. 541 01:01:08,580 --> 01:01:10,520 The Syrians are easily defeated. 542 01:01:12,650 --> 01:01:17,490 There were many followers of Caravaggio, but only one was a woman. 543 01:01:19,450 --> 01:01:22,290 Artemisia Gentileschi. 544 01:01:23,250 --> 01:01:29,190 Artemisia Gentileschi was herself raped by two men, Agostino Tatti and Cosimo 545 01:01:29,190 --> 01:01:31,070 Corley. She was 19. 546 01:01:33,170 --> 01:01:37,210 Her reputation was destroyed. She was left with nothing but her talent as a 547 01:01:37,210 --> 01:01:38,210 painter. 548 01:01:40,330 --> 01:01:41,330 So... 549 01:01:47,470 --> 01:01:48,950 Is it because it terrifies men? 550 01:01:50,430 --> 01:01:55,570 She's a fully sexed, mature woman who is neither Madonna nor whore. 551 01:01:56,190 --> 01:01:58,350 Temptress becomes executioner. 552 01:01:59,810 --> 01:02:02,150 Bearer of life becomes the taker of life. 553 01:02:04,310 --> 01:02:06,330 Beauty made captive his soul. 554 01:02:11,130 --> 01:02:13,350 The sword passed through his neck. 555 01:02:15,850 --> 01:02:20,350 The attribution to Anteveduto Grammatica was made by Professor Julina Ferrari in 556 01:02:20,350 --> 01:02:25,550 1921, but Professor Ferrari is no longer considered reliable and local. 557 01:02:26,170 --> 01:02:32,270 An engraving made by Marco Lastri of a Judith Slaying Holophanies by Artemisia 558 01:02:32,270 --> 01:02:38,710 Gentileschi. It is neither the Uffizi Judith nor the Naples Judith. It is a 559 01:02:38,710 --> 01:02:39,710 Cree Judith. 560 01:02:43,430 --> 01:02:44,850 Do I go to New York? 561 01:02:53,100 --> 01:02:54,100 I want it back. 562 01:03:02,600 --> 01:03:04,360 Love the way you play. 563 01:03:05,920 --> 01:03:07,820 Love the sound you make. 564 01:03:09,000 --> 01:03:11,180 You used to play from the heart. 565 01:03:11,600 --> 01:03:12,880 Now you're sold out. 566 01:03:15,860 --> 01:03:21,080 So how does it feel, baby, now that you've money to save? 567 01:03:42,160 --> 01:03:44,340 You change the way you talk. 568 01:04:28,460 --> 01:04:30,940 I've got you a catalogue, and I've reserved you a seat. 569 01:04:31,820 --> 01:04:33,520 You should get along to view this afternoon. 570 01:04:34,840 --> 01:04:35,960 Right, lot 35. 571 01:04:36,620 --> 01:04:38,620 A panoramic landscape by Philip de Kearney. 572 01:04:39,220 --> 01:04:42,940 You can bid up to $1 ,500 ,000 for this one. 573 01:04:47,600 --> 01:04:48,600 Wait a second. 574 01:04:48,620 --> 01:04:49,680 You've got to have some sort of code. 575 01:04:50,060 --> 01:04:51,740 You can't simply put your bid in your catalogue. 576 01:04:52,180 --> 01:04:53,180 Why? 577 01:04:53,300 --> 01:04:55,920 Well, think of it like a poker game. Keep your cards close to your chest. 578 01:05:01,779 --> 01:05:05,760 Now, that's what I'm authorized to bid. If you go over by even a single dollar, 579 01:05:05,820 --> 01:05:10,180 my buyer is not obliged to pay, and I will disembowel myself on the auction 580 01:05:10,180 --> 01:05:11,660 floor. D 'accord, Jacques. 581 01:05:12,500 --> 01:05:13,500 Naturalamente. 582 01:05:13,760 --> 01:05:14,760 Lot 41. 583 01:05:16,560 --> 01:05:17,620 41, 41. 584 01:05:19,160 --> 01:05:20,160 Countess of Sussex? 585 01:05:21,060 --> 01:05:22,060 This is for me. 586 01:05:22,420 --> 01:05:25,320 Bellamy's clearly don't think it's sufficiently distinguished to be by Van 587 01:05:25,620 --> 01:05:26,620 I'm not so sure. 588 01:05:27,660 --> 01:05:31,280 It's quite badly obscured by the shite of ages, but the overpainting in these 589 01:05:31,280 --> 01:05:35,200 areas is relatively recent. That could be to hide damage, or it could be that 590 01:05:35,200 --> 01:05:36,740 something rather tasty lurks beneath. 591 01:05:39,120 --> 01:05:42,860 It could be seen to check the back of the canvas. It's been reliant, not 592 01:05:42,860 --> 01:05:43,940 for a painting of this age. 593 01:05:45,080 --> 01:05:46,440 A bit up to 10 ,000. 594 01:05:47,460 --> 01:05:48,460 Now 11. 595 01:05:49,700 --> 01:05:51,160 13. 11. 596 01:05:54,480 --> 01:05:55,439 Not 80. 597 01:05:55,440 --> 01:05:56,440 The Goya. 598 01:05:59,750 --> 01:06:00,750 Bullfight. 599 01:06:01,050 --> 01:06:02,490 Ooh, charming. 600 01:06:02,770 --> 01:06:08,150 You can bid up to 3 ,800 ,000. That's 3 ,800 ,000 US dollars. 601 01:06:08,630 --> 01:06:09,630 Yes! 602 01:06:11,550 --> 01:06:15,110 What do you get out of all this? 1%, about 25 ,000 pounds if we get it, 603 01:06:15,110 --> 01:06:16,110 if we don't. 604 01:06:16,330 --> 01:06:17,330 Daylight robbery. 605 01:06:17,350 --> 01:06:19,290 Not at all. Money for years of education and experience. 606 01:06:23,150 --> 01:06:26,370 OK, register at the desk when you arrive. The sale starts at 10 .15. 607 01:06:26,650 --> 01:06:28,010 Do not be late. 608 01:06:28,750 --> 01:06:29,750 Don't look round. 609 01:06:30,290 --> 01:06:32,710 Everything's serious, unostentatious. 610 01:06:34,350 --> 01:06:35,970 We'll meet up at the end to organise payments. 611 01:06:36,710 --> 01:06:37,710 Questions? 612 01:06:38,990 --> 01:06:39,990 Nope. 613 01:07:24,370 --> 01:07:25,930 Sure, it's beautiful. 614 01:07:27,930 --> 01:07:29,030 Goodbye. 615 01:07:55,330 --> 01:07:56,670 Thank you very much 616 01:07:56,670 --> 01:08:02,810 Do you 617 01:08:02,810 --> 01:08:10,030 like 618 01:08:10,030 --> 01:08:11,030 this painting? 619 01:08:15,850 --> 01:08:16,850 Do you find that strange? 620 01:08:21,390 --> 01:08:22,950 Will you be attending the sale? 621 01:08:24,390 --> 01:08:25,390 Yes, I think so. 622 01:08:27,609 --> 01:08:28,609 Thank you. 623 01:10:06,500 --> 01:10:07,500 Thank you. 624 01:11:07,530 --> 01:11:08,670 This was for a friend. 625 01:12:01,680 --> 01:12:02,680 Holly? 626 01:12:07,100 --> 01:12:08,500 Holly? 627 01:12:13,120 --> 01:12:14,520 Holly? 628 01:12:19,180 --> 01:12:20,580 Holly? 629 01:13:49,290 --> 01:13:50,290 Where am I? 630 01:13:50,850 --> 01:13:51,850 Uptown. 631 01:13:52,330 --> 01:13:53,330 Uptown. 632 01:13:53,610 --> 01:13:55,690 Oh. Oh, Christ. 633 01:14:00,170 --> 01:14:01,170 No. 634 01:14:01,790 --> 01:14:02,970 No. Please. 635 01:14:05,110 --> 01:14:06,110 No. 636 01:14:06,810 --> 01:14:07,810 No. 637 01:14:11,490 --> 01:14:12,550 Countess, his wrench. 638 01:14:13,650 --> 01:14:14,650 It's a long story. 639 01:14:15,030 --> 01:14:16,030 I've got to go. 640 01:14:16,150 --> 01:14:17,230 Thanks for having me. 641 01:14:18,650 --> 01:14:19,650 Twice. 642 01:15:07,250 --> 01:15:11,730 820 on the telephone again against the room at $820 ,000. 643 01:15:12,330 --> 01:15:15,530 On the telephone at 850 at the back. 644 01:15:16,010 --> 01:15:17,570 870 ,000 on my left. 645 01:15:17,810 --> 01:15:19,370 900 ,000 at the back. 646 01:15:20,750 --> 01:15:26,150 920 ,000 on the telephone. Susie's bid at $920 ,000 going on. 647 01:15:26,950 --> 01:15:29,810 Selling at $920 ,000. 648 01:15:32,450 --> 01:15:33,510 Lot 41. 649 01:15:34,230 --> 01:15:36,310 Studio of Sir Anthony Van Dyke. 650 01:15:36,810 --> 01:15:38,870 I'm opening the bidding at $5 ,000. 651 01:15:41,750 --> 01:15:43,010 $5 ,000. 652 01:15:43,910 --> 01:15:45,270 $5 ,500. 653 01:15:45,550 --> 01:15:47,350 $6 ,000. $6 ,500. 654 01:15:48,890 --> 01:15:51,970 On my left at $6 ,500, any advance? 655 01:15:53,510 --> 01:15:54,830 $7 ,000. 656 01:15:55,770 --> 01:15:57,090 $7 ,000. 657 01:15:57,810 --> 01:15:59,630 $7 ,000. Any advance? 658 01:16:01,150 --> 01:16:03,390 Selling then at $7 ,000. 659 01:16:04,050 --> 01:16:05,790 At $7 ,000. 660 01:16:07,560 --> 01:16:08,700 7 ,500. 661 01:16:09,020 --> 01:16:13,460 With you, madam, at 7 ,500. On my right, at 7 ,500. 662 01:16:15,040 --> 01:16:17,060 8 ,000. 8 ,500. 663 01:16:17,680 --> 01:16:19,460 9 ,000. 9 ,500. 664 01:16:19,720 --> 01:16:20,720 10 ,000. 665 01:16:20,820 --> 01:16:21,820 10 ,500. 666 01:16:21,880 --> 01:16:22,880 11 ,000. 667 01:16:24,120 --> 01:16:26,320 With you, sir, at 11 ,000 dollars. 668 01:16:27,080 --> 01:16:28,200 11 ,500, madam. 669 01:16:28,980 --> 01:16:30,620 With you, madam, at 11 ,500. 670 01:16:31,900 --> 01:16:36,960 12 ,000. 13 ,000. 14 ,000. 15 ,000. 16 ,000. 671 01:16:37,240 --> 01:16:38,240 $17 ,000. 672 01:16:38,480 --> 01:16:39,860 $18 ,000. 673 01:16:40,060 --> 01:16:42,640 $19 ,000. I bid $20 ,000. 674 01:16:47,340 --> 01:16:48,520 $20 ,000. 675 01:16:49,680 --> 01:16:50,980 $21 ,000. 676 01:16:51,180 --> 01:16:57,360 $22 ,000. $23 ,000. $24 ,000. $25 ,000. $30 ,000. Do I have 30? 677 01:17:06,030 --> 01:17:09,210 $30 ,000 against you, sir, at $30 ,000. Going on. 678 01:17:12,530 --> 01:17:14,170 $35 ,000. Do I hear $40 ,000? 679 01:17:21,850 --> 01:17:24,930 This bid is with you, sir, at $35 ,000. 680 01:17:25,650 --> 01:17:27,190 Madam. Going on? 681 01:17:27,650 --> 01:17:28,650 Sure. 682 01:17:29,610 --> 01:17:31,650 All done, then, at $35 ,000. 683 01:17:32,540 --> 01:17:39,020 Selling at $35 ,000. Selling on my left at $35 ,000. $40 ,000. 684 01:17:39,020 --> 01:17:40,120 Any more? 685 01:17:42,260 --> 01:17:43,260 Sure. 686 01:17:44,700 --> 01:17:48,120 Selling at $40 ,000. $40 ,000. 687 01:17:49,000 --> 01:17:51,340 Madam, 261. 688 01:17:52,400 --> 01:17:53,740 Lot 42. 689 01:17:54,420 --> 01:17:58,680 Unattributed Venetian waterscape. Opening the bidding at $3 ,000. 690 01:17:59,640 --> 01:18:00,980 $3 ,000. 691 01:18:01,530 --> 01:18:02,530 3 ,500. 692 01:18:02,610 --> 01:18:03,529 4 ,000. 693 01:18:03,530 --> 01:18:04,530 4 ,500. 694 01:18:06,090 --> 01:18:13,010 It was mine. The $7 ,000 on 695 01:18:13,010 --> 01:18:15,810 this stupid cow bits against me. I'm a very incontinent. Does she think she's 696 01:18:15,810 --> 01:18:17,550 lying? This was your idea, Oliver. 697 01:18:18,250 --> 01:18:19,250 Thank you for your support. 698 01:18:19,770 --> 01:18:25,350 If she goes over on the Goya, I'm finished. Seriously, I'm dead. Dead in 699 01:18:25,350 --> 01:18:26,450 water. Finished as a dealer. 700 01:18:27,110 --> 01:18:28,150 We've got to stop her bidding. 701 01:18:28,370 --> 01:18:29,390 How? I don't know. 702 01:18:29,670 --> 01:18:30,670 Exactly. 703 01:18:34,540 --> 01:18:40,980 $2 ,500 ,000 on the telephone, $2 .5 million against the room. At $2 .5 704 01:18:41,060 --> 01:18:42,160 do I hear $2 .6? 705 01:18:43,540 --> 01:18:48,460 Thank you, sir. $2 ,600 ,000 at the back. $2 ,700 ,000 on my left. 706 01:18:49,220 --> 01:18:50,240 $2 ,800 ,000. 707 01:18:51,260 --> 01:18:52,760 $3 million on the telephone. 708 01:18:53,020 --> 01:18:55,880 $3 million on the telephone against the room at $3 million. 709 01:18:57,200 --> 01:18:59,560 New bidder at $3 .2 million on my left. 710 01:19:00,300 --> 01:19:02,060 $3 .4 million on my right. 711 01:19:05,260 --> 01:19:09,980 3 .6 million. Any more? 3 .7. 3 .8. I'm asking for 3 .8. 712 01:19:14,340 --> 01:19:16,340 Against you, sir, at 3 .8 million. 713 01:19:17,940 --> 01:19:18,940 Do I have four? 714 01:19:20,540 --> 01:19:21,540 Sure? 715 01:19:23,040 --> 01:19:24,740 Four. Four million dollars. 716 01:19:26,620 --> 01:19:33,280 Selling, then, at 3 ,800 ,000 dollars, 3 ,800 ,000... Madam, 717 01:19:33,440 --> 01:19:34,440 261? 718 01:19:35,280 --> 01:19:36,280 Two fix one. 719 01:19:36,380 --> 01:19:39,900 Ladies and gentlemen, that concludes our tale for today. Thank you all very much 720 01:19:39,900 --> 01:19:40,900 indeed. 721 01:19:50,360 --> 01:19:50,840 Hello 722 01:19:50,840 --> 01:19:57,680 again. 723 01:19:58,780 --> 01:20:00,020 Magdalena Krasinska. 724 01:20:00,780 --> 01:20:01,780 Robert Tassin. 725 01:20:03,040 --> 01:20:04,040 Congratulations. 726 01:20:05,550 --> 01:20:06,590 Shall we meet for lunch? 727 01:20:09,910 --> 01:20:11,090 That would be very nice. 728 01:20:12,170 --> 01:20:15,630 I think it's rather an interesting piece. Should clean up quite nicely. 729 01:20:15,950 --> 01:20:18,530 What are you talking about? What are you talking about? You know nothing about 730 01:20:18,530 --> 01:20:19,530 dogs. 731 01:20:19,790 --> 01:20:23,910 I don't think it's significant that Roberto Tassi was bidding for it. Tassi 732 01:20:23,910 --> 01:20:26,850 bidding for the pleasure of seeing Countess Polska make an asswipe of 733 01:20:27,170 --> 01:20:30,130 Excuse me. Countess Polska did actually get you a Goya. 734 01:20:30,450 --> 01:20:32,590 $40 ,000 for a huge old mug. 735 01:20:32,990 --> 01:20:33,849 I'm having lunch. 736 01:20:33,850 --> 01:20:35,030 Who are we, a jockey or a games bro? 737 01:20:36,830 --> 01:20:38,090 Roberto Tassi. 738 01:20:38,430 --> 01:20:43,050 What? Maggie, I don't think that's a very good idea. Tassi is the New York 739 01:20:43,050 --> 01:20:45,050 dealer. He knows everything about everything. 740 01:20:45,670 --> 01:20:49,030 That's why I'm having lunch with him. Could somebody do me a favour, please? 741 01:20:50,130 --> 01:20:54,410 So he can spread the word. What was that fake? He'll start you in two minutes. 742 01:20:54,430 --> 01:20:57,530 Don't assume that you know the Countess of Southwark. She's 5 ,000. I think you 743 01:20:57,530 --> 01:20:59,050 don't know anything about Van Dyck. 744 01:20:59,490 --> 01:21:00,490 Yes, I do. 745 01:21:00,730 --> 01:21:02,390 I thought he was very good in Mary Poppins. 746 01:21:04,150 --> 01:21:05,150 Maggie! 747 01:21:05,590 --> 01:21:08,210 Don't worry, darling. Everything will be fine. 748 01:21:37,690 --> 01:21:41,210 You know, the Italian dealers already have a name for you. 749 01:21:41,990 --> 01:21:42,990 La Pittura. 750 01:21:43,890 --> 01:21:45,250 Then they are very foolish. 751 01:21:46,550 --> 01:21:47,610 They are just curious. 752 01:21:47,870 --> 01:21:50,610 No one knows who you are, where you've been until now. 753 01:21:51,410 --> 01:21:52,490 In Poland, perhaps? 754 01:21:53,430 --> 01:21:54,430 Not so much. 755 01:21:55,790 --> 01:21:56,930 I've been to Inquisitive. 756 01:22:01,930 --> 01:22:03,190 Was it good for you, the sale? 757 01:22:04,750 --> 01:22:05,770 Yes, quite good. 758 01:22:07,070 --> 01:22:08,830 I didn't think you would bid so much. 759 01:22:09,810 --> 01:22:11,570 I thought I would win the Countess. 760 01:22:12,650 --> 01:22:13,650 But you lost. 761 01:22:14,170 --> 01:22:15,170 I regret that. 762 01:22:23,070 --> 01:22:27,070 Once I brought some tomato seeds from Italy. 763 01:22:27,570 --> 01:22:28,750 Planted them here in New York. 764 01:22:30,210 --> 01:22:31,210 And did they grow? 765 01:22:32,109 --> 01:22:35,110 Yes, they looked beautiful, but they had no flavor. 766 01:22:36,490 --> 01:22:39,090 I should have brought some Vesuvian soil as well. 767 01:22:40,690 --> 01:22:44,050 Sometimes things are not what they seem. 768 01:22:47,570 --> 01:22:50,330 I'll give you $100 ,000 for the counters. 769 01:22:51,590 --> 01:22:53,730 Thank you, but no. 770 01:22:55,770 --> 01:22:56,770 $150 ,000. 771 01:22:57,550 --> 01:23:01,350 You know, I was brought up to believe that it was very vulgar to talk of money 772 01:23:01,350 --> 01:23:02,350 in public. 773 01:23:03,330 --> 01:23:04,330 Yes, it is. 774 01:23:07,070 --> 01:23:11,230 So, I will take the Countess back to London and I will have her cleaned. 775 01:23:15,770 --> 01:23:17,530 Most of the good places have gone. 776 01:23:18,730 --> 01:23:19,730 Except this one. 777 01:23:20,150 --> 01:23:22,330 You will not find better food here in New York. 778 01:23:23,570 --> 01:23:24,570 Signor Scardone. 779 01:23:30,010 --> 01:23:32,010 Flying fish. 780 01:25:36,410 --> 01:25:37,910 Hello? Maggie. 781 01:25:40,230 --> 01:25:41,290 Seb, you all right? 782 01:25:41,510 --> 01:25:43,890 No. I've been trying to get a hold of you. Where have you been? 783 01:25:44,330 --> 01:25:45,330 What's the matter? 784 01:25:46,330 --> 01:25:47,330 The dog is dead. 785 01:25:48,150 --> 01:25:49,150 Oh, Seb. 786 01:25:49,830 --> 01:25:50,990 She disappeared yesterday. 787 01:25:51,470 --> 01:25:53,070 I found her down near the lodge. 788 01:25:53,470 --> 01:25:57,530 Oh, darling. Well, she was old, I suppose. 789 01:25:58,090 --> 01:25:59,090 No. 790 01:25:59,770 --> 01:26:00,770 It was lonely. 791 01:26:01,210 --> 01:26:02,210 Oh, God. 792 01:26:02,930 --> 01:26:04,350 I'm coming home today. 793 01:26:05,480 --> 01:26:06,339 To Ireland? 794 01:26:06,340 --> 01:26:07,720 No, to London. 795 01:26:08,220 --> 01:26:09,540 You come to London. 796 01:26:10,540 --> 01:26:11,880 I'll look after you. 797 01:26:12,100 --> 01:26:13,360 Shall I? Yes. 798 01:26:13,920 --> 01:26:14,940 Come to London. 799 01:26:17,300 --> 01:26:19,240 Oh, sorry, I'm so tired. 800 01:26:43,050 --> 01:26:44,470 I'll tell him you paid for it in New York. 801 01:26:44,970 --> 01:26:47,270 Oh, I'll tell him you paid so much for it, we can't afford you a story. 802 01:26:50,370 --> 01:26:55,170 Yeah, well... It 803 01:26:55,170 --> 01:27:01,970 was catalogued at the studio of Van 804 01:27:01,970 --> 01:27:03,930 Dyck. You can't take things differently. 805 01:27:14,540 --> 01:27:19,140 This whole area here has been overpainted, probably earlier this 806 01:27:19,720 --> 01:27:20,720 Maybe to make her thinner. 807 01:27:21,520 --> 01:27:26,860 This area here, which is by a different hand, this could be as early as the 17th 808 01:27:26,860 --> 01:27:27,860 century. 809 01:27:29,020 --> 01:27:30,020 Shall I do a test? 810 01:27:30,740 --> 01:27:31,740 Absolutely. 811 01:27:37,500 --> 01:27:39,060 Is your father in? He's upstairs. 812 01:27:48,780 --> 01:27:49,780 Mr. Bentham. 813 01:27:50,000 --> 01:27:51,720 My father's Mr. Bentham. 814 01:27:52,120 --> 01:27:53,120 I'm Jeff. 815 01:27:53,940 --> 01:27:54,940 Jeff. 816 01:27:55,880 --> 01:28:00,960 My speciality are the Neapolitan Sessiento paintings, particularly the 817 01:28:00,960 --> 01:28:02,460 Antividuta Grammatica. 818 01:28:03,440 --> 01:28:04,440 Each to his own? 819 01:28:05,500 --> 01:28:06,500 Excuse me? 820 01:28:07,320 --> 01:28:08,580 I prefer landscapes. 821 01:28:09,220 --> 01:28:10,860 Something watery. 822 01:28:11,740 --> 01:28:13,160 Cows in a water meadow. 823 01:28:13,620 --> 01:28:14,620 Yes. 824 01:28:25,130 --> 01:28:27,890 Interested in acquiring the Glenn Gray painting? 825 01:28:32,390 --> 01:28:35,490 I understand it is in London and it is for sale. 826 01:28:39,650 --> 01:28:43,830 I was rather hoping that you might help me acquire it. 827 01:28:46,750 --> 01:28:48,730 Here. Take a look. 828 01:28:56,300 --> 01:28:57,300 I'll see what I can do. 829 01:29:01,140 --> 01:29:02,140 Did he buy it? 830 01:29:02,340 --> 01:29:03,340 Yes, I think so. 831 01:29:04,020 --> 01:29:05,180 So what happens now? 832 01:29:06,800 --> 01:29:07,800 Wait. 833 01:29:43,980 --> 01:29:44,980 night there. 834 01:29:45,680 --> 01:29:46,680 I can't be here. 835 01:29:49,100 --> 01:29:52,200 I can't be sitting with you, you know. That would ruin everything. 836 01:29:52,580 --> 01:29:53,580 Oh, yeah. 837 01:29:53,820 --> 01:29:56,700 Why don't you stay with Oliver and Susie? You know they'd love to have you. 838 01:29:57,500 --> 01:29:58,500 Okay. 839 01:30:03,300 --> 01:30:06,600 Do you have any money? 840 01:30:09,100 --> 01:30:10,620 Yes, as a matter of fact, I do. 841 01:30:26,000 --> 01:30:27,560 Do you want me to call Susie for you? No. 842 01:30:29,300 --> 01:30:30,300 I'm all right. 843 01:30:33,000 --> 01:30:34,000 Call me in the morning. 844 01:30:35,220 --> 01:30:36,220 Bye. 845 01:30:36,660 --> 01:30:37,660 Great to see you, sir. 846 01:30:38,320 --> 01:30:40,180 Finally become the snob you always wanted to be? 847 01:31:14,890 --> 01:31:16,250 A robot is just a robot. 848 01:31:17,470 --> 01:31:18,590 You don't know them. 849 01:31:19,030 --> 01:31:20,350 You haven't worked with them. 850 01:31:21,230 --> 01:31:23,470 They're a cleaner, better breed than we are. 851 01:31:25,230 --> 01:31:26,230 Excuse me? 852 01:31:27,110 --> 01:31:28,110 My robot. 853 01:31:29,350 --> 01:31:31,770 On the earth is ruled by master machine. 854 01:31:33,110 --> 01:31:35,290 And robots are more human than mankind. 855 01:31:38,130 --> 01:31:42,850 I just picked this up this afternoon at one of those second -hand bookshops. 856 01:31:44,170 --> 01:31:45,170 You know it? 857 01:31:45,750 --> 01:31:48,390 No. I was just reading the back cover. 858 01:31:57,710 --> 01:31:58,710 Hello? 859 01:31:59,150 --> 01:32:01,050 Yes, this is Magdalena Krasinska. 860 01:32:02,890 --> 01:32:06,050 Ah, yes, yes, yes, I can. 861 01:32:09,130 --> 01:32:10,130 Where? 862 01:32:14,640 --> 01:32:15,640 And what time? 863 01:32:18,980 --> 01:32:19,980 I'll be there. 864 01:32:22,020 --> 01:32:23,380 No, that is too much. 865 01:32:24,500 --> 01:32:28,420 No, I will pay you 250 up front and then 250 if he shows. 866 01:32:31,720 --> 01:32:33,360 Yes, yes, I will see you there. 867 01:32:34,400 --> 01:32:35,400 Thank you. 868 01:32:55,370 --> 01:32:56,370 Oliver, it's Maggie. 869 01:32:56,830 --> 01:32:58,630 Jeff Bentham's come through with a meeting. 870 01:32:59,810 --> 01:33:02,070 It's at the Marquess in Shepherd's Bush. 871 01:33:03,330 --> 01:33:04,710 But there's no time now, Oliver. 872 01:33:05,510 --> 01:33:07,030 No, no, I'm on my way there now. 873 01:33:07,890 --> 01:33:08,890 It's worked, Ollie. 874 01:33:09,450 --> 01:33:10,710 I'm going to get the painting. 875 01:33:11,890 --> 01:33:12,910 No, don't, don't. 876 01:33:14,850 --> 01:33:15,850 Who's that? 877 01:33:17,170 --> 01:33:18,290 Oliver, what's going on? 878 01:33:46,800 --> 01:33:47,800 Hello. 879 01:33:49,520 --> 01:33:50,520 What? 880 01:33:52,540 --> 01:33:53,840 Vodka. You have vodka? 881 01:33:54,140 --> 01:33:55,140 Yes. 882 01:33:55,260 --> 01:33:56,340 Is it cold? 883 01:33:56,620 --> 01:33:58,480 No. We have ice. 884 01:34:39,820 --> 01:34:41,800 Nothing, you think? No, I don't think so. 885 01:35:46,120 --> 01:35:47,840 Minicab for Krasinska. 886 01:35:49,620 --> 01:35:50,620 Yes. 887 01:36:20,520 --> 01:36:21,520 Hang on to her. 888 01:36:47,590 --> 01:36:52,750 Closed. I... Except for the woman that was here. 889 01:36:52,970 --> 01:36:53,970 We're closed. 890 01:36:54,010 --> 01:36:59,290 Where is she, please? Let go of my arm. Where is she? Let go of my arm, or I'll 891 01:36:59,290 --> 01:37:00,630 break your friggin' neck. 892 01:37:13,410 --> 01:37:14,410 Where is she? 893 01:37:14,970 --> 01:37:15,970 Up on the left. 894 01:37:17,400 --> 01:37:18,400 That's where I was told. 895 01:37:19,360 --> 01:37:20,660 I can take you home if you like. 896 01:37:21,880 --> 01:37:23,620 No. Now, how much do I owe you? 897 01:37:24,000 --> 01:37:25,000 It's already been sorted. 898 01:37:53,070 --> 01:37:54,170 Magdalena Crescent. 899 01:39:23,720 --> 01:39:24,720 in here 900 01:40:17,840 --> 01:40:24,460 If I feel your touch, if I feel your touch in the 901 01:40:24,460 --> 01:40:25,460 night.